Kay kaufman shelemay biography template

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This essay, based on ethnographic interviews and observation, discusses the lives and careers of three prominent Ethiopian musicians from sacred, folkloric, and.

This essay, based on ethnographic interviews and observation, discusses the lives and careers of three prominent Ethiopian musicians from sacred, folkloric, and.

Sing and Sing On: Sentinel Musicians and the Making of the Ethiopian American Diaspora.

Kay Kaufman Shelemay is a professor of music and African and African American Studies at Harvard.

Kay Kaufman Shelemay, who chairs the department of music, which she joined in She still speaks with intensity about the chance encounter with Ethiopian.

Kay Kaufman Shelemay highlights their many artistic and social initiatives and the ways they have offered inspiration and leadership within and beyond a rapidly.

(1970), M.A. (1972), and Ph.D. (1977), University of Michigan. She taught at Columbia University (1977-1982), New York University (1982-1990), and Wesleyan University (1990-1992), before joining the Harvard faculty in 1992. At Harvard, Shelemay has served as Chair of the Department of Music (1994-1999; acting chair, spring 2002; chair, spring 2005; emergency chair, 2007) and is active in interdisciplinary studies across several domains.

Kay Kaufman Shelemay is the G. Gordon Watts Professor of Music and a professor of African and African American studies at Harvard University.

A Fellow of the American Academy of Arts and Sciences and the American Academy for Jewish Research, the American Philosophical Society, and the Ethiopian Academy of Sciences, she is a Past President of the Society for Ethnomusicology.

A Congressional appointee to the Board of Trustees of the American Folklife Center at the Library of Congress from 2000-2013, she was Chair of that Board from 2002-2004. She has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Council of L